British Society of Aesthetics
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Vol. 4, No. 3 December 2007
A Critical Assessment of the Role of the Imagination in Kant's Exposition of the Mathematical Sublime
Richard Stopford
What is Wrong with the Rhapsode? The Role of Inspiration in Plato's The Ion
Tilmann Koeppe
Aesthetic Contextualism
Jerrold Levinson
Vol. 4, No. 2 August 2007
Expression and Expressiveness in Art
Jenefer Robinson
Communicability of Pleasure and Normativity of Taste in Kant's Third Critique
Iskra Fileva
The Reinvention of Genius
Menno Boogaard
Vol. 4, No.1 April, 2007
Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks?
Angharad Shaw
Contextualized Functions: Possible Tensions in Stecker's Definition
Matthew Rowe
The Role of Aesthetic Experience
Anil Gomes
Vol. 3, No. 3 December 2006
Dickie's Institutional Theory and the "Openess" of the Concept of Art
Alexandre Erler
Can One Be a Quasi-Realist About the Aesthetic?
Christopher Dowling
How to Form Aesthetic Belief: Interpreting the Acquaintance Principle
Robert Hopkins
Vol. 3, No. 2 August, 2006
Actual Intentionalism, Interpretation, and Ethical Criticism
Matthew C. Braddock
Giving New Functions to Old Forms: The Aesthetics of Reassigned Architecture
Kenneth Boyd
Resemblance as Repleteness: A Solution to Goodman's Problem
Daniel Barnes
Thoughts on the 'Paradox' of Fiction
Kathleen Stock
Vol. 3, No. 1 April, 2006
Musical Thought and Compositionality
Christopher Bartel
There's a Nice Knockdown Argument for You: Donald Davidson and Modest Intentionalism
Kalle Puolakka
Freedom and Receptivity in Aesthetic Experience
Ronald Hepburn
Vol. 2, No. 3 December, 2005
The End of Art Revisited: A Response to Kalle Puolakka
Hans Maes
Convention and Difference
Rufus Duits
Individual Style After the End of Art
Regina Wenninger
Vol. 2, No. 2 August, 2005 Special Issue: Philosophy of Music
Restating the Case for Representation in the Philosophy of Opera
Daniel Gallagher
Musical Feelings and Atonal Music
Elina Packalén
I Never Heard No Horse Play Guitar
Nick Jones
Musical Works and Performance Evaluation
António Lopes
Conceptual and Nonconceptual Modes of Music Perception
Mark DeBellis
What do we Understand in Musical Experience?
Guy Dammann
Vol. 2, No. 1 April, 2005
Playing the Game After the End of Art: Comments for Hans Maes
Kalle Puolakka
Evaluative Standards in Art Criticism: A Defence
Julia Peters
Directions for a New Aestheticism
Jeffrey Petts
Why does Feminism Matter to Aesthetics?
Joshua Shaw
Vol. 1, No. 3 December, 2004 Re-Discovering Aesthetics Guest Editors: Halsall, Jansen and O'Connor
Re-Discovering Aesthetics
Francis Halsall, Julia Jansen and Tony O'Connor
Indiscernable Properties, Discernable Artworks
Maria Jose Alcaraz
The Sublime Aesthetic and Nineteenth-Century Representations of the Victoria Falls
John McAleer
Everything in its Right Place: Foucault and the 'Ideology of the Aesthetic'
Dominic Paterson
Exclusively for Everyone: On the Value of Aesthetic Experience
Julie Kuhlken
Art Historical Explanation of Paintings and the Need for an Aesthetics of Agency
Daniel Davies
Vol. 1, No. 2 August, 2004
Pictorial Representation and Moral Knowledge
Katerina Bantinaki
The End of Art: A Real Problem or Not Really a Problem?
Hans Maes
Consciousness Duplication and Our Capacity to Learn from Literary Fictions
Allison Mitchell
Conceptual Art, Social Psychology and Deception
Peter Goldie
The Impact of Aesthetic Imagination on Our Ethical Approach towards Nature
Christian Denker
Vol. 1, No. 1 April, 2004
Reflections on Current Trends in Aesthetics
Peter Lamarque
Imagination, Attitude and Experience
Cain Samuel Todd
Impressions of Reflection and the End of Art
Gary Jaeger
Heidegger and Metaphysical Aesthetics
Rufus Duits