British Society of Aesthetics

Archive
Vol. 4, No. 3 December 2007
A Critical Assessment of the Role of the Imagination in Kant's Exposition of the Mathematical Sublime Richard Stopford
What is Wrong with the Rhapsode? The Role of Inspiration in Plato's The Ion Tilmann Koeppe
Aesthetic Contextualism Jerrold Levinson
Vol. 4, No. 2 August 2007
Expression and Expressiveness in Art Jenefer Robinson
Communicability of Pleasure and Normativity of Taste in Kant's Third Critique Iskra Fileva
The Reinvention of Genius Menno Boogaard
Vol. 4, No.1 April, 2007
Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks? Angharad Shaw
Contextualized Functions: Possible Tensions in Stecker's Definition Matthew Rowe
The Role of Aesthetic Experience Anil Gomes
Vol. 3, No. 3 December 2006
Dickie's Institutional Theory and the "Openess" of the Concept of Art Alexandre Erler
Can One Be a Quasi-Realist About the Aesthetic? Christopher Dowling
How to Form Aesthetic Belief: Interpreting the Acquaintance Principle Robert Hopkins
Vol. 3, No. 2 August, 2006
Actual Intentionalism, Interpretation, and Ethical Criticism Matthew C. Braddock
Giving New Functions to Old Forms: The Aesthetics of Reassigned Architecture Kenneth Boyd
Resemblance as Repleteness: A Solution to Goodman's Problem Daniel Barnes
Thoughts on the 'Paradox' of Fiction Kathleen Stock
Vol. 3, No. 1 April, 2006
Musical Thought and Compositionality Christopher Bartel
There's a Nice Knockdown Argument for You: Donald Davidson and Modest Intentionalism Kalle Puolakka
Freedom and Receptivity in Aesthetic Experience Ronald Hepburn
Vol. 2, No. 3 December, 2005
The End of Art Revisited: A Response to Kalle Puolakka Hans Maes
Convention and Difference Rufus Duits
Individual Style After the End of Art Regina Wenninger
Vol. 2, No. 2 August, 2005 Special Issue: Philosophy of Music
Restating the Case for Representation in the Philosophy of Opera Daniel Gallagher
Musical Feelings and Atonal Music Elina Packalén
I Never Heard No Horse Play Guitar Nick Jones
Musical Works and Performance Evaluation António Lopes
Conceptual and Nonconceptual Modes of Music Perception Mark DeBellis
What do we Understand in Musical Experience? Guy Dammann
Vol. 2, No. 1 April, 2005
Playing the Game After the End of Art: Comments for Hans Maes Kalle Puolakka
Evaluative Standards in Art Criticism: A Defence Julia Peters
Directions for a New Aestheticism Jeffrey Petts
Why does Feminism Matter to Aesthetics? Joshua Shaw
Vol. 1, No. 3 December, 2004 Re-Discovering Aesthetics Guest Editors: Halsall, Jansen and O'Connor
Re-Discovering Aesthetics Francis Halsall, Julia Jansen and Tony O'Connor
Indiscernable Properties, Discernable Artworks Maria Jose Alcaraz
The Sublime Aesthetic and Nineteenth-Century Representations of the Victoria Falls John McAleer
Everything in its Right Place: Foucault and the 'Ideology of the Aesthetic' Dominic Paterson
Exclusively for Everyone: On the Value of Aesthetic Experience Julie Kuhlken
Art Historical Explanation of Paintings and the Need for an Aesthetics of Agency Daniel Davies
Vol. 1, No. 2 August, 2004
Pictorial Representation and Moral Knowledge Katerina Bantinaki
The End of Art: A Real Problem or Not Really a Problem? Hans Maes
Consciousness Duplication and Our Capacity to Learn from Literary Fictions Allison Mitchell
Conceptual Art, Social Psychology and Deception Peter Goldie
The Impact of Aesthetic Imagination on Our Ethical Approach towards Nature Christian Denker
Vol. 1, No. 1 April, 2004
Reflections on Current Trends in Aesthetics Peter Lamarque
Imagination, Attitude and Experience Cain Samuel Todd
Impressions of Reflection and the End of Art Gary Jaeger
Heidegger and Metaphysical Aesthetics Rufus Duits