British Society of Aesthetics

Calls for Papers
THE BRITISH SOCIETY OF AESTHETICS ANNUAL CONFERENCE

The British Society of Aesthetics Annual Conference

St. Edmund Hall, Oxford

September 5-7, 2008

Deadline: May 12th


Papers in philosophical aesthetics should be submitted with a 200 word abstract and formatted for blind review (author's name, etc, on  separate cover page). Papers should not exceed 3500 words (30  minutes reading time). Abstracts cannot be considered in lieu of papers.


There are up to 3 slots reserved for graduate papers (to be marked as such when submitted) with a £50 prize to be awarded to the best one.

Submissions should be submitted in Word format by email to Derek Matravers: D.C.Matravers@open.ac.uk


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FILM AND PHILOSOPHY JOURNAL
CALL FOR PAPERS FOR VOLUME 13 SPECIAL INTEREST EDITION; TEACHING PHILOSOPHY THROUGH FILM (AND VICE-VERSA)
Submissions are now welcome for the next volume of Film and Philosophy, a Special Interest edition which will be focused on the use of film in Philosophy classes. Possible topics include, but are not limited to; Pedagogical techniques for teaching philosophy through film What does it mean to approach a film philosophically? Discussions of particular films that illustrate metaphysical, epistemological or ethical issues in ways that are pedagogically useful. Are some films just inherently philosophical (and hence good learning tools for teaching philosophy)? What is gained (and/or lost) from showing films in philosophy classes (are we watering them down by using films)? What unique contributions to film appreciation and evaluation can philosophy make?
Subs should be from 2, 500 to 7, 500 words, following the Chicago Manual of Style, using endnotes that contain the relevant bibliographic information (please no separate bibliography or reference list). Please send your article in WORD format to Managing Editor Daniel Shaw at dshaw@lhup. edu. DEADLINE JUNE 30, 2008



THEATRE, PERFORMANCE AND PHILOSOPHY
The Theatre and Performance Research Association (TaPRA, www. tapra. org), will hold its 4th Annual Conference at the University of Leeds from September 3-5, 2008.
The TaPRA Theatre, Performance and Philosophy Working Group would like to invite proposals for papers for this conference. Please send abstracts with a brief biographical note to the convenors, ProfessorDaniel Meyer-Dinkgrä fe dmeyerdinkgrafe@lincoln. ac. uk or Dr Dan WattD. P. Watt@lboro. ac. uk by the deadline of 30 June 2008.
Mission Statement; Ever since Aristotle's Poetics in the West, and Natyashastra in what isnow South Asia, philosophy has played a major role in relation totheatre, both in explaining the phenomena associated with theatre andin influencing theatre practice and theory. Besides examining the oftenoverlooked historical links between philosophy and theatre in the worksand plays of given thinkers like Hegel and Sartre, of particularinterest to the TaPRA Theatre, Performance and Philosophy working groupwill be the use of theatrical metaphors in philosophy and the notion ofthe "performative" and performance, from Austin's How To Do Things withWords to Derrida's "Signature, Event, Context".

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INTERNATIONAL CONFERENCE ON SYMBOLISM
The International Conference on Symbolism, Symbolism; Its Origins and Its Consequences will take place at the University of Illinois Conference Center, Allerton Park, between April 22-25. The keynote speaker for the conference is Madame Genevieve Lacambre, a curator of Musee d'Orsay in Paris.

The purpose of the conference is to explore the origins of Symbolism, a variety of Symbolist manifestations in art, literature, music and philosophy, its consequences in art and literature, and to understand how ideas moved from one European country to another.
The abstracts should be written in English, the official language of the event. The abstract should be submitted via email. The maximum length for abstracts is 250 words. The email address is symbolismabstracts@uis. edu. DEADLINES; Abstract Submission Deadline; Septermber 1, 2008; Notification of Acceptance/Rejection; December 20, 2009; Final Paper Submission Deadline; March 15, 2009. Queries should be directed to symbolisminquiries@uis. edu

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PHILOSOPHICAL QUARTERLY ESSAY PRIZE - 'CREATIVITY'

The Philosophical Quarterly invites submissions for its 2008 international prize essay competition, the topic of which is 'Creativity' .
Essays are invited that consider any philosophical issue about creativity. Topics might include the definition of the concept; the value of creativity; the role that the study of creativity should play in philosophical subject areas, such as aesthetics, the philosophy of science or the philosophy of mind; and the philosophical implications that arise from consideration of empirical work on creativity by psychologists or other scientists. While it may be appropriate to consider the work of historical writers on creativity, essays should focus primarily on the philosophical issues concerning creativity.

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SCULPTURE AND TOUCH

Conference to be held at the Courtauld Institute of Art Research Forum
16th – 17th May, 2008

The fundamental question that the conference will address is: What is the relationship between sculpture and the sense of touch?  Under this broad focus, contributors are invited to examine a number of more specific issues.  For example:

How do sculptors anticipate the possibility of physical interaction with their work?

  • In what sense does beholding sculpture enlist tactile sensations, even where direct physical contact is impossible? 
  • How do sculptors anticipate the possibility of physical interaction with their work?
  • Does sculpture have a privileged relationship to the sense of touch?
  • Are there sculptures that repel or avoid the sense of touch? 
  • Is talk about touch and sculpture largely metaphorical?
  • In what ways are tactile sensations mediated by vision?
  • How far should art historical theory and language draw on the insights of the psychology and physiology of touch?

A central issue will be the extent to which the relationship between sculpture and touch is historically and culturally determined.  But it will be equally important to identify overarching issues that cross these boundaries.  In order to draw out these broader issues, the sessions will be organised thematically rather than chronologically.  Possible themes might include (but are not limited to): handheld sculpture; the artist’s touch; the beholder’s touch; untouchable sculpture; materials and tactility.


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JOURNAL OF VISUAL ART PRACTICE
I am looking for potential contributors to the Journal of Visual Art Practice, by way of authors of articles and reviewers of books of interest to contemporary visual arts practitioners. In the first instance please contact; Prof. Richard Woodfield, Editor of the Journal of Visual Art Practice, NottinghamTrentUniversity, UK.
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Postgraduate Journal of Aesthetics

Deadlines (ongoing): At least one month in advance of any regular issue.

The Postgraduate Journal of Aesthetics Online seeks contributions. All essays should be prepared for blind review. Essays are meant to be kept short, generally aiming at 2500 - 3000 words (or roughly the length of a 30 minute conference paper). The philosophical level of essays should be such as to encourage serious and focused academic thought at a level appropriate to postgraduate's topics of interest. Also, authors are asked to avoid lengthy footnotes and include page references within the body of the text, while source materials should be collected at the end of the essay. Authors working in philosophical traditions other than analytic philosophy are of course welcome.  As this is an entirely web-based format, essays should be submitted via email.

To avoid difficulties with word processing formats, we request that all emailed should be saved and sent in Rich Text Format (.rtf). Essays in an acceptable format will be refereed blind by a member of the editorial board. Please direct all submissions and editorial questions to the editor via email at: PGJeditor@british-aesthetics.org. PLEASE INCLUDE "PJA" IN THE EMAIL SUBJECT HEADING.

 


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Journal of Value Inquiry

Journal of Value Inquiry Publisher: Springer Science+Business Media B.V. The Journal of Value Inquiry is an international, peer-reviewed, philosophical quarterly, founded in 1967 by James Wilbur, devoted to the stimulation and communication of research in value studies. The essays published in the journal concern the nature, origin, experiences and scope of value in general, as well as problems of value in such fields as culture, aesthetics, religion, social and legal theory or practice, ethics, education, and methodology, technology and the sciences. The Journal of Value Inquiry is a forum for presentation of the rich diversity of approaches available to value inquiry. It is committed to openness, cosmopolitanism, and the sharing of insights about humanity. Besides full-length essays, the journal publishes notes, communications to the editors, book reviews, interviews, dialogues, reports, and a News column. ISSN 0022-5363 Editorial Office: The Journal of Value Inquiry Kluwer Academic Publishers P.O. Box 990 3300 AZ Dordrecht, The Netherlands Content available by subscription. Abstracts available online. Articles available in PDF format. Selected articles available free online. Current Issue: Volume 38, Number 2 June 2004 Date: 26 May 2005


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Arts and Humanities in Higher Education

Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice http://ahh.sagepub.com/ Publisher: SAGE Publications Arts and Humanities in Higher Education publishes articles, reviews and scholarly comment relating to the arts and humanities in higher education serving the community of arts and humanities educators internationally. Expertly edited, rigorously peer-reviewed and with a truly international outlook and application, Arts and Humanities in Higher Education is a must-have resource for the many institutions supplying courses within the wide scope of the arts and humanities. The journal publishes significant opinion and research into contemporary issues of teaching and learning critical to all educators and researchers in this far-ranging area. Arts and Humanities in Higher Education is truly international in that it seeks, wherever possible, to publish material from authors with an international reputation, and articles that are of interest to an international audience. ISSN: 1474-0222 Editors: Ellie Chambers & Jan Parker Institute of Educational Technology The Open University Milton Keynes MK7 6AA Email: e.a.chambers@open.ac.uk and jan.parker@open.ac.uk or Professor Marshall Gregory (US contributions) English Department Butler University Indianapolis, IN 46208 USA Email: mgregory@butler.edu Content available by subscription. Abstracts available online. Articles available in PDF format.

 


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Protocols: History and Theory

Protocols: History and Theory An interdisciplinary e-journal call for papers As part of our activities in the History and Theory department in Bezalel, we plan to have a special issue of our e-journal devoted to papers concerning the place of the Museum in modern society, the curator's role in constructing culture, memory, education, etc. Ben Baruch Blich Editor e-mail: baruchbl@013.net.il Bezalel Academy of arts and design Jerusalem History and Theory unit Mount scopus p.o.b. 24046 jerusalem 91240 israel Telephone 972-2-5893333 fax 972-2-5823094

 




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