British Society of Aesthetics

Archive

Vol. 7, No. 1 April 2010

Title	Area	Last Updated
AESTHETIC RELATIVISM	Derek Matravers	21/06/2010
HUTCHESON'S IDEA OF BEAUTY AND THE DOOMSDAY SCENARIO	Rafe McGregor	21/06/2010
IS MUSICAL EMOTION AN ILLUSION?	Muk Yan Wong	21/06/2010

Vol. 6, No. 3 December 2009

Title	Area	Last Updated
AESTHETIC APPRECIATION OF EXPRESSIVE QUALITIES IN ANIMALS	Emily Brady	06/02/2010
FICTIONAL ENTITIES AND REAL EMOTIONAL RESPONSES	Anthony Brandon	06/02/2010
FROM THE PEPPER GARDEN TO THE BOTANICAL GARDEN - KANT ON THE AESTHETIC APPRECIATION OF NATURAL BEAUTY	Marianne LeNabat	06/02/2010
AESTHETIC VALUE, INTERSUBJECTIVITY AND THE ABSOLUTE CONCEPTION OF THE WORLD	G. Anthony Bruno	06/02/2010

Vol. 6, No. 2 August 2009

Title	Area	Last Updated
FIXING THE IMAGE - RETHINKING THE 'MIND-INDEPENDENCE' OF PHOTOGRAPHS	DAWN PHILLIPS	22/09/2009
A DEFENCE OF AN INSTITUTIONAL ANALYSIS OF ART	ELIZABETH HEMSLEY	22/09/2009
AESTHETIC REALISM AND METAPHOR	JULIAN JONKER	22/09/2009

Vol. 6, No. 1 April 2009

	Art for Art's Sake in the Old Stone Age	Gregory Currie
	Advancing an Ontology of Stories	Geoff Stevenson
	Fictional Hierarchies and Modal Theories of Fiction	Johannes Schmitt

Vol. 5, No. 3 December 2008

	HOW CAN THERE BE WORKS OF ART? - MICHAEL MORRIS
	SCHOPENHAUER ON THE EPISTEMOLOGICAL VALUE OF ART - VID SIMONITI

Vol. 5, No. 2 August 2008

	Can Film be a Philosophical Medium?	David Davies
	The Problem with Sentimental Art	Nada Gatalo
	A Derridean Approach to Musical Identity	Laurel Ralston

Vol. 5, No. 1 April 2008

	Bob Little Jim Bluebottle and The Three Stooges	Stephen Davies
	The Return of Photographs as Genuine Prostheses	Inés de Asis
	Mechanical Recording in Arnheim's Film as Art	Yvan Tétreault
	The Problem of the Fictive Stance	Thomas Wolstenholme

Vol. 4, No.1 April, 2007

	Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks?	Angharad Shaw
	Contextualized Functions: Possible Tensions in Stecker's Definition	Matthew Rowe
	The Role of Aesthetic Experience	Anil Gomes

Vol. 4, No. 2 August 2007

	Expression and Expressiveness in Art	Jenefer Robinson
	Communicability of Pleasure and Normativity of Taste in Kant's Third Critique	Iskra Fileva
	The Reinvention of Genius	Menno Boogaard

Vol. 4, No. 3 December 2007

	A Critical Assessment of the Role of the Imagination in Kant's Exposition of the Mathematical Sublime	Richard Stopford
	What is Wrong with the Rhapsode? The Role of Inspiration in Plato's The Ion	Tilmann Koeppe
	Aesthetic Contextualism	Jerrold Levinson

Vol. 3, No. 3 December 2006

	Dickie's Institutional Theory and the "Openess" of the Concept of Art	Alexandre Erler
	Can One Be a Quasi-Realist About the Aesthetic?	Christopher Dowling
	How to Form Aesthetic Belief: Interpreting the Acquaintance Principle	Robert Hopkins

Vol. 3, No. 2 August, 2006

	Actual Intentionalism, Interpretation, and Ethical Criticism	Matthew C. Braddock
	Giving New Functions to Old Forms: The Aesthetics of Reassigned Architecture	Kenneth Boyd
	Resemblance as Repleteness: A Solution to Goodman's Problem	Daniel Barnes
	Thoughts on the 'Paradox' of Fiction	Kathleen Stock

Vol. 3, No. 1 April, 2006

	Musical Thought and Compositionality	Christopher Bartel
	There's a Nice Knockdown Argument for You: Donald Davidson and Modest Intentionalism	Kalle Puolakka
	Freedom and Receptivity in Aesthetic Experience	Ronald Hepburn

Vol. 2, No. 3 December, 2005

	The End of Art Revisited: A Response to Kalle Puolakka	Hans Maes
	Convention and Difference	Rufus Duits
	Individual Style After the End of Art	Regina Wenninger

Vol. 2, No. 2 August, 2005 Special Issue: Philosophy of Music

	Restating the Case for Representation in the Philosophy of Opera	Daniel Gallagher
	Musical Feelings and Atonal Music	Elina Packalén
	I Never Heard No Horse Play Guitar	Nick Jones
	Musical Works and Performance Evaluation	António Lopes
	Conceptual and Nonconceptual Modes of Music Perception	Mark DeBellis
	What do we Understand in Musical Experience?	Guy Dammann

Vol. 2, No. 1 April, 2005

	Playing the Game After the End of Art: Comments for Hans Maes	Kalle Puolakka
	Evaluative Standards in Art Criticism: A Defence	Julia Peters
	Directions for a New Aestheticism	Jeffrey Petts
	Why does Feminism Matter to Aesthetics?	Joshua Shaw

Vol. 1, No. 3 December, 2004 Re-Discovering Aesthetics Guest Editors: Halsall, Jansen and O'Connor

	Re-Discovering Aesthetics	Francis Halsall, Julia Jansen and Tony O'Connor
	Indiscernable Properties, Discernable Artworks	Maria Jose Alcaraz
	The Sublime Aesthetic and Nineteenth-Century Representations of the Victoria Falls	John McAleer
	Everything in its Right Place: Foucault and the 'Ideology of the Aesthetic'	Dominic Paterson
	Exclusively for Everyone: On the Value of Aesthetic Experience	Julie Kuhlken
	Art Historical Explanation of Paintings and the Need for an Aesthetics of Agency	Daniel Davies

Vol. 1, No. 2 August, 2004

	Pictorial Representation and Moral Knowledge	Katerina Bantinaki
	The End of Art: A Real Problem or Not Really a Problem?	Hans Maes
	Consciousness Duplication and Our Capacity to Learn from Literary Fictions	Allison Mitchell
	Conceptual Art, Social Psychology and Deception	Peter Goldie
	The Impact of Aesthetic Imagination on Our Ethical Approach towards Nature	Christian Denker

Vol. 1, No. 1 April, 2004

	Reflections on Current Trends in Aesthetics	Peter Lamarque
	Imagination, Attitude and Experience	Cain Samuel Todd
	Impressions of Reflection and the End of Art	Gary Jaeger
	Heidegger and Metaphysical Aesthetics	Rufus Duits